Toxic Legacy (2025)
100 x 100 cm acrylic, drawing materials and collage on canvas
A spectral family emerges from a world in decay. The painting opens with the vibrant greens and floral tones of Mediterranean nature—wild, sunlit, alive. But this beauty falters. As the scene darkens, a corroded radiation sign marks the shift: colour curdles, forms dissolve, and the figures seem to fade into poisoned ground. Toxic Legacy is a meditation on slow, inherited harm—the quiet violence of contamination passed from generation to generation. €1,400 + shipping costs.
The Terror (2024)
100 x 100 cm acrylic and drawing materials on canvas
Haunted by the fate of HMS Terror, lost to ice and silence during the ill-fated 1845 Franklin expedition into the Artic, in search of the North-West Passage, this painting drifts through a landscape of frozen time. Shrouded forms emerge from muted greens and spectral blues, as if memory itself were trapped beneath layers of frost. The Terror is less a record of events than a meditation on doomed ambition and the fragility of human endeavour. €1,400 + shipping costs.
Signal 3 (2021)
46 x 46 cm acrylic and drawing materials on canvas covered poplar panel
Inspired by motorcycle journeys through the winding roads of the Argentina Valley around Badalucco, Signal 3 captures a landscape glimpsed in passing—part remembered, part imagined. Angular forms and sweeping arcs suggest the flicker of structures, terrain, and fleeting impressions as seen through speed and motion. A grid of red-blue cells pulses like a code from the hills—part greenhouse, part signal. One of the Signals series, this painting reflects on the fragmented nature of perception in transit, where the land is not fixed but constantly unfolding, abstracted through movement and memory. €300 + shipping costs.
Signal 4 (2022)
46 x 46 cm acrylic and drawing materials on canvas covered poplar panel
Inspired by the working ports of the Imperia coast, Signal 4 reflects a landscape of quiet contradiction. Yellow gridlines echo the order of moored yachts, while beneath them, colour drifts and spills—rubbish, rust, and remnants litter the sea. Beauty mingles with waste in this fragment of a harbour remembered in motion. Part of the Signals series, it captures a world where structure and collapse share the same horizon. €300 + shipping costs.
Signal 5 (2022)
46 x 46 cm acrylic and drawing materials on canvas covered poplar panel
Unfolding in the solitude of a night ride, where rain falls in silver veils, cascading down mountain slopes. A yellow flare cuts through the darkness—headlights, lightning, memory—illuminating a hillside village half-lost in silhouette. A black wall rises—a church tower looms over the ramparts, watching the road like a sentinel. Part of the Signals series, this work captures the tension of moving alone through a violent storm, guided only by light, instinct, and the comforting warmth of a motorcycle engine. €300 + shipping costs.
Signal 7 (2022)
46 x 46 cm acrylic and drawing materials on canvas covered poplar panel
Shaped by the steep roads of the Argentina Valley, rising above Badalucco, where water cascades after rain, streaming across tight mountain bends in sudden veils, catching wheels and vision alike. A wide red-blue circle arcs across the canvas—part hot tyre, part waterwheel, part echo of motion through a world in flux. The final work in the Signals series captures the adrenaline thrill and risk of motorbiking on saturated ground, where the road itself seems to shimmer, vanish, and reappear. €300 + shipping costs.
I expose, in these works, the fragile boundary between memory and matter, beauty and ruin. From the spectral echoes of lost explorers to the poisoned traces of industrial damage, each painting reflects a world seen in motion—through travel, time, or collapse. Whether drifting through the ruined ice of The Terror, the shimmer of Toxic Legacy, or the fractured landscape of the Signals series, I invite you to witness not only what is seen, but what haunts beneath the surface.